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9 thoughts on “ Walter Gieseking - Sonata No.21 In C Major (Shellac)

  1. Piano Concerto No. 21 in C Major, K. "Elvira Madigan": III. Piano Sonata No. 15 in C Major, K. Sonata Semplice: I. Allegro by Walter Gieseking plays Mozart Variations in E flat.
  2. Piano Sonata No. 21 in C major ('Waldstein'), Op. 3. Rondo. Allegretto moderato - 4. Piano Sonata No. 21 in C major ('Waldstein'), Op. Prestissimo As time goes on people have tended to forget that Walter Gieseking () was a pianist with a very broad repertoire; he has been remembered primarily for his playing of French music /5(7).
  3. Piano Concerto No. 21 in C Major, K. "Elvira Madigan": III. Frédéric Chopin's Barcarolle Op. 60 in F Sharp Major Performed by Walter Gieseking Walter Gieseking plays Beethoven Sonata.
  4. Piano Concerto No. 21 in C Major, K. "Elvira Madigan": III. Allegro vivace assai Walter Gieseking plays Beethoven Sonata Op. 13 - 1. Grave, Allegro molto e con brio.
  5. Jun 06,  · Walter Gieseking plays Beethoven Sonata No. 21 in C Op. 53 "Waldstein" (1/2) Frédéric Chopin's Barcarolle Op. 60 in F Sharp Major Performed by Walter Gieseking by .
  6. Find album reviews, stream songs, credits and award information for Beethoven: Piano Sonatas, Nos. 21, 23, 30, & 31 - Walter Gieseking on AllMusic -
  7. Check out Beethoven: Piano Sonatas Nos 21, "Waldstein", 23, "Appassionata", 30 & 31 by Walter Gieseking on Amazon Music. Stream ad-free or purchase CD's and MP3s now on kirirdredgushakarcerezar.xyzinfo
  8. Walter Gieseking. June 15, out of 5 stars 3 ratings. Piano Sonata No. 7 in C Major, K. I. Allegro con spirito. Piano Sonata No. 7 in C Major, K. I. Allegro con spirito. Listen Now $ In MP3 cart View MP3 Cart Piano Sonata No. 7 in C Major, K. II. Andante un poco adagio/5(3).
  9. It was with the repertoire of French masters that the German pianist Walter Gieseking became most famous. The impressionistic piano writing of Claude Debussy and Maurice Ravel required the most sensitive touch and attention to color and nuance, and Gieseking's finger acuity, imaginative pedaling, and above all, preternaturally alert ear made him an ideal interpreter of this music.

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